The architectural concept of project “Undercommons” for the palace draws inspiration from the thought-provoking exploration presented in “Smooth City,” where the dynamics of urban development, control mechanisms, and the concept of the porous city are deeply examined. In response to the challenges posed by the smooth city paradigm. The design philosophy aligns with the principles of embracing adaptability, diversity, and collective care within urban spaces. The “Undercommons” describe a sense of “general antagonism” that arises in resistance to unjust policy. General antagonism is a “sense of dispossession and possession by the dispossessed”

How do we challenge our “undercommons” and try to enrich the decolonization consensus? The initial examination underscores the impact of control measures manifested in colonial heritage and military urbanism. Two main theories are held in the design concept, queering and commoning. The incorporation of queering principles further disrupts established norms, creating spaces that challenge the traditional narrative of the palace. The importance of commoning in maintaining the porous city is reflected in the palace’s design, with outdoor spaces, social interaction, and unconventional connections. The importance of deconstructing and recontextualizing the colonial meaning is the premise of my project.